Palm Tattoos

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i am sure that everyone here realizes by now that I am the ringer. Usually the ringer is a hidden expert, such as a well trained soprano, who sneaks into a school chorus and sings like an angel, and I am certainly not that, but instead I am here to hold down the end of this lecture series, and attempt to leave you with the pleasurable experience of looking at pictures, as some sort of antidote to all the spoken words that this class has depended upon. I have ended up here today because of a deep failing on my part, which manifests itself with my inability to keep my mouth shut. At a pleasant lunch one day last year at the President’s office Rick Levin and Tony Kronman, two of the lecturers in this series, were outlining their proposed DeVane lecture series to accompany the University’s Tercentennial celebration. They rolled off all the names of the distinguished Yale faculty members who would speak, and when they finished I couldn’t help pointing out that there wasn’t an artist among them, except for the presence of David Gelertner, and even he, I worried, would speak about the computer and democracy instead of art and democracy. My comment resulted, of course, in Tony and Rick calling me up a day or two later with an invitation to join the series.